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Saturday, January 18, 2020

Jadu dynasty & AMPS + 4 more

Baba

Jadu dynasty & AMPS

Namaskar,

When Parama Purusa comes in the form of Mahasambhuti, all His engagements come within the scope of the "Naraliila of Parama Purusa". There are many things that He does which people cannot explain. That's why those types of events are called "liila". The reasons are only known to Him. So Parama Purusa is infinite and His liila is also infinite. Here also is one of His liilas: On one side in the scriptures He has written that He lives with bhaktas. And that is certainly true. Yet there is another side to the story as well.

Note: All of creation is the sambhuti of Parama Purusa, and when Parama Purusa comes in human form to save His creation from the wrong path and establish dharma then He is called Mahasambhuti. This earth has seen three Mahasambhutis. The most recent one is Shrii Shrii Anandamurti ji.

Just as when those of the Jadu dynasty got drunk and wiped themselves out, we see similar events unfolding today. Those top leaders have been desperately trying to root out AM ideology from AMPS. By their action, we can easily see how far their dealings are consistent with Ananda Marga ideology.

History of Mahasambhuti


Lord Shiva and then Lord Krsna came. In each of these circumstances, Mahasambhuti engaged with various types of people. Some were very good; some were normal. One common theme was that those working with Him thought they had higher realisation of and greater proximity with the Lord. The same happened surrounding Mahasambhuti Baba. Those working around Mahasambhuti thought that they are most close to Him. Why did they think like this? Because they were in close physical proximity to Parama Purusa. For this reason, they thought they were psycho-spiritually close as well.
https://anandamargauniversal.blogspot.com/

Those physically close may be spiritually far


Everybody knows that the stone that lies at the bottom of the river does not soak up any water; it is unaffected by the river even after sitting there for thousands of years. Although it is completely in water 24 hours a day, internally that stone remains untouched, i.e. completely dry. Similarly, those surrounding Mahasambhuti all the 24hrs for organisational affairs are mostly in the same position as that stone. They could not soak up any of the spiritual and neo-humanistic vibration of Parama Purusa.

In His divine liila, Baba guides us on His teachings in various ways: through stories, humour, Prabhat Samgiita, and discourses etc. Through these media, He tells His inner thoughts. Baba has given this following Prabhat Samgiita which demonstrates that those physically close may not have been very close in other realms.

"Keu ka'che peyeo cinate na're, dure thekeo cene..." (Prabhata Samgiita #3286)

Purport: Baba, by remaining physically close to You, some do not recognise You that You are Parama Purusa, whereas others, even from a distance, realise His magnanimity. Some get His sweet touch, even then they drown in staticity. While others unknowingly believe fully in His greatness...  (PS #3286)

This song - "Keu ka'che peyeo" - gives this message that living physically close to Parama Purusa is not the defining quality of one's spiritual stature or closeness with Parama Purusa. Living in His physical proximity does not mean one is psycho-spiritually close. Many lived physically close to Mahasambhuti, yet they remain far from Him. In contrast, many live physically far, but keep Him in their hearts.

Innumerable examples of this can be given. We can determine one's true relation with Mahasambuti by examining a person's conduct. This formula applies to those who were living physically close to Lord Shiva, Lord Krsna, or Lord Shrii Shrii Anandamurtiji. By examining their actions and dealings, we can understand their real proximity to Parama Purusa.
https://anandamargauniversal.blogspot.com/

The Yadava dynasty


We know the history of those in the lineage of Lord Krsna; His family was the Jadu (Yadava) dynasty. Tragically, they killed themselves due to their blindness. They were very proud to belong to the same lineage and be part of Lord Krsna's family, but by their actions we can understand that they were not truly close with Lord Krsna. They were not close psycho-spiritually.

The history is that after the Maha'bharat was over, the Yadavas - family members and disciples of Krsna - had nothing to do other than to drink wine and enjoy materially. And one day, under the spell of wine, a group conflict erupted, and they started attacking and killing each other. They all died. Here below Baba describes how the Yadavas killed each other.

Ananda Marga philosophy states, "In the Jadu dynasty during the time of the Mahabharata ... Balaram was the elder brother of Krs'n'a and the king of the Jadu dynasty... Balaram was also an alcoholic. [And when Balaram and the Jadu family drank at one gathering]. The resulting drunkenness caused people to quarrel amongst themselves. Eventually they killed each other at Prabhash Tiirtha and the Jadu dynasty was destroyed." (1)

Ananda Marga philosophy states, "When at last the Yaduvamshii [Jadu Dynasty] were destroyed in Prabhasa Tiirtha, Krśńa did not help them; rather He said that they were immoral and He could not support them." (2)


Early days of AMPS & what is going on now

Please look into this following example about those who were working along with Baba as a central WT, or in any type of working relation. They were thinking they are most close. To remove their illusion, one day Baba told about the "Ringing Bell" story. (If you do not know this story then speak with senior margiis or acaryas.) We have seen the downfall of those who were in close physical proximity to Baba. And we will go on seeing. Because, ego is the worst enemy.

One can cite the name of Pranay Kumar Chatterjee, the first GS of Ananda Marga, as well as Vishokananda, the first PA. Then Madhavananda, and so many such persons can be enlisted. These types of events are not rare or unknown. Earlier in the Jamalpur days, many persons had this type of vanity from thinking that they were “very close”. Later on, their glory became one with the dust.

Ananda Marga philosophy says, "Aham'ka'rah patanasya mu'lam" ["Pride goeth before a fall"]. (3)

So at the time of Lord Krsna, the Yadavas drank, became intoxicated, and destroyed themselves.

Now in Ananda Marga Pracaraka Samgha we are seeing a similar scene: Those at the top are drunk with power. With whatever power and position they have, they are trying to root out Ananda Marga ideology from AMPS. They are attacking margiis and Wts who are trying to follow AM ideology. They wholly overlook the ideological guidelines which Baba has given. Knowing the history of what happened to the Jadu dynasty, we have to consider the outcome.
https://anandamargauniversal.blogspot.com/

Ananda Marga philosophy states, "They killed each other at Prabhash Tiirtha and the Jadu dynasty was destroyed. People who follow a path which is devoid of ideology are bound to meet the same fate. Eventually they will destroy themselves by their infighting... Consequently different groups are formed. We see this situation today." (4)


Conclusion

Ananda Marga philosophy states, "We shall no longer remain divided into various gotras, and erect artificial walls of separation among ourselves. Smashing all these barriers, we shall all sit and eat and drink together in the same compound, bound by the ties of one human family." (5)

Just as when those of the Jadu dynasty got drunk and wiped themselves out, we see similar events unfolding today. Those top leaders have been desperately trying to root out AM ideology from AMPS. By their actions, we can easily see how far their dealings are consistent with Ananda Marga ideology.

Some difficult challenges may be on the horizon, but, by Baba's blessing, we should never feel pessimistic; the future is bright.
https://anandamargauniversal.blogspot.com/

Ananda Marga philosophy states, "There are some people who are pessimistic. They say that the society around us is very bleak, that it has no expression of vitality and that it seems that everyone is in a deep slumber. Pessimists say this because they have never made any detailed study of human history, nor do they care to. Had they done so, they would certainly be optimistic, because if they had looked carefully at the symptoms of pause, they would have realized that significant preparations were being made for the subsequent phase of speed. So under no circumstances should human beings be pessimistic. That is why I am always an incorrigible optimist, because I know that optimism is life." (6)

Namaskar,
Sastaunga Pranam to Baba,
Yogini Singh

References
1. Prout in a Nutshell - 15, The Existential Value of Ideology
2. Discourses on the Mahabharata, Lord Krśńa's Unique Approach
3. Namah Shivaya Shantaya, Shivas Teachings – 1 (continued) (Discourse 10)
4. Prout in a Nutshell - 15, The Existential Value of Ideology
5. Namah Shivaya Shantaya, Disc: 2
6. Prout in a Nutshell - 7, Dynamicity and Staticity


*        *        *

The below sections are entirely different topics, unrelated to the above material.
They stand on their own as points of interest.

*        *        *

== Section 2: Prabhat Samgiita ==

Still I feel that You love me so much

“Aarańye giri shire khunje khunje tomáre, din cale jáy sandhyá ghanáy….” (Prabhat Samgiita #2144)

Purport:

Parama Purusa, I passed my days searching for You in the depths of the dense forest and on the remote mountain peaks. Now, it is getting dark and evening is fast approaching. The twilight of my life has arrived. And You never responded. It is extremely difficult to understand what kind of heart You have. But still I feel that You love me so much.

Baba, Parama Purusa, I looked for You in flowers, in the floral nectar, and also in each and every particle of pollen. But nowhere ever did I find You. I could never even get close enough to hold You near. You did not offer the slightest hint as to where You were. 

I journeyed from one dogmatic tiirtha site to another. I have searched for You in various tiirthas and so-called “holy lands” - Jerusalem, Jamalpur, and I also went to Ananda Nagar, Tiljala, and Varanasi, Puri, Mecca, Rome, & dogmatic religious places, as well as in the caves of treacherous mountains. I wandered hither and thither - all over. I bathed in innumerable so-called holy lakes, rivers, mountain streams, and oceans in hopes of getting You. But I did not get You, nor any peace in my mind, from any of those so-called “holy” dips. Now my empty, unsatiated heart only sheds tears for You.

My Parama Purusa Baba, by Your grace with intense longing I realised You in my mind. I found You in my heart. In the pores of my mental abode, I have seen a glimpse of Your incredible spiritual radiance. You are there hiding in my I-feeling. In the deep core of the mind You can be realised. Your divine effulgence purely dazzles my entire being...

== Section 3: Important Teaching ==

Which knowledge to follow


   Ananda Marga philosophy says, “Common people usually live their lives according to absolute knowledge and become noble and great. That is why we see people like Kabir and Ramakrishna, who even without formal schooling, were highly regarded by tens of thousands of people. In fact, it is doubtful whether learned scholars could bring about even a small fraction of the spiritual progress these great people brought to society…”
   “Social progress is achieved to some extent through relative knowledge, but here also there is a great possibility of conflict between relative knowledge and absolute knowledge. Relative knowledge often encourages divisive ideas and the propagation of narrow sentiments such as casteism, nationalism, communalism, provincialism, etc., by extolling the greatness of caste, community, creed, colour, etc. It often tends to suppress other castes, communities, creeds, etc., or wants to annihilate them completely. On the other hand, absolute knowledge teaches human beings that the Dharma of all humans is one and the same. The Supreme Entity is the Universal Father. All the human beings of the world are brothers and sisters. All are equal – no one is low, no one is high.” (1)

Reference
1. Tattva Kaomudii - 2, Prápta Vákya and Ápta Vákya


== Section: Second Topic ==

बुढ़ापा से भयभीत?

नमस्कार |
पूरी दुनिया में लम्बे जीवन को ही आजकल सफल जीवन माना जाता है | कोई व्यष्टि लम्बी आयु तक जिया तो साधारणतया उसके लम्बे जीवन को देखकर यह माना जाता है कि उसका जीवन सफल रहा |

परन्तु हमारा आनन्दमार्गीय दृष्टिकोण भिन्न है | जीवन की सफलता केवल लम्बे समय तक जी लेने में ही नहीं है | कोई व्यष्टि बहुत लम्बे समय तक जी लिया, केवल इसी से उसके जीवन को सफल जीवन नहीं कह सकते हैं | कह सकते हैं लम्बा जीवन | लेकिन सफल जीवन नहीं |

शुभ कर्मों से भरा-पूरा

लम्बा जीवन और सफल जीवन में फ़र्क़ है | अगर कोई व्यष्टि अच्छे कार्य नहीं कर रहा है या गलत कार्यों में समय बिता रहा है, तो उसका जीवन असफल है, व्यर्थ है--भले ही वह कितना भी लम्बा क्यों न हो |

अनेक प्रवचनों में तारकब्रह्म बाबा हमें आदेश दे रहे हैं कि हमारा जीवन साधना, सेवा, महान कार्य, शुभ कर्मों से भरा-पूरा होना चाहिए | जीवन में पग-पग पर हमारे कर्म में हमारा उच्च आदर्श दिखाई देना चाहिए |

Baba quote----"Mere survival is not enough; what is important is to live a dignified life. The excellence of human life lies in action; it is through action that human beings survive. They should aspire to live long while performing noble deeds; it is futile to live just like an earthworm. Indeed, each and every human being should vow, 'I do not know how long I will survive; but as long as I exist I will live a glorious life, not an ignominious existence like that of an earthworm'..." AVM-33


अनेक लोग कीड़े-मकोड़े जैसे

स्पष्ट है कि बाबा के अनुसार बिना शुभ कार्यों के लम्बा जीवन समय की बरबादी है, मानव अस्तित्व की बरबादी है | बिना कुछ अच्छा काम किए लम्बा जीवन जीना तो कीड़े-मकोड़े की तरह जीवन जीना है, समय बेकार बीत जाने के समान है | एक मनुष्य होने के नाते हमारा जीवन महान होना चाहिए | उच्च आदर्श, उन्नत कर्म, सर्वजनहिताय बुद्धिवाला होना चाहिए |

आधुनिक युग में चिकित्सा विज्ञान सहित विज्ञान की अन्य शाखाओं ने काफ़ी विकाश किया है | फलस्वरूप भौतिक क्षेत्र में पहले की अपेक्षा आज लोगों का जीवन स्तर ऊपर उठा है और आयु भी लम्बी हुई है | लेकिन दुर्भाग्य है कि नैतिक मूल्यों में भारी गिरावट आई है |


सौ साल अभिशाप

आज अनेक लोग सौ साल जी रहे हैं | लेकिन सौ साल तक किए क्या ? खाना, पीना, सोना, झूठ बोलना, पैसा कमाना आदि | अधिकांश लोगों के व्यष्टिगत जीवन में कोई उच्च आदर्श, नैतिक मूल्य नहीं और उनके सामाजिक जीवन में भी कोई सेवा कार्य नहीं | इस तरह का जीवन तो कीड़े-मकोड़े के जीवन जैसा हो गया | ऐसा जीवन चाहे जितना भी लम्बा क्यों न हो, यह तो एक दुर्भाग्यपूर्ण जीवन है; क्योंकि जीवन का सदुपयोग नहीं हुआ |

अकसर लोग भूल जाते हैं कि सभी कर्मों का हमें प्रतिफल भोगना पड़ता है | जितना लम्बा समय तक जितना ज़्यादा गलत कार्य करेंगे उतना अशुभ संस्कार बनता जाएगा | तो बिना शुभ कार्यों के लम्बे जीवन से क्या हुआ ? और भी ज़्यादा अशुभ संस्कारों का बोझा इकट्ठा हुआ | स्पष्ट है कि अच्छे कर्मों के बिना जीवन को सफल नहीं बल्कि असफल कहेंगे, भले ही वह कितना ही लम्बा क्यों न हो | लम्बा जीवन तभी लाभदायक है जब उसका सदुपयोग हो | अन्यथा वह एक अभिशाप ही साबित होगा | गलत दिशावाला जीवन जितना लम्बा उतना ज़्यादा गन्दा काम, उतना अशुभ संस्कार, उतना समाज का भी हानि |

इसलिए लम्बा जीवन से ज़्यादा ज़रूरी है, शुभ कार्यों से भरपूर जीवन | साधना, सेवा, आध्यात्मिकतावाला जीवन | ऐसा जीवन जितना समय का हो, उसे ही सफल जीवन कहेंगे | जीवन के सफलता-असफलता का पैमाना जिए गए वर्ष का गिनती नहीं बल्कि जीवन में किए गए शुभ-अशुभ कर्म होगा |

सेवा-साधना आदि में मानव जीवन का सदुपयोग

इसलिए इस चिन्ता में शरीर नहीं गलाना चाहिए कि कितना जिएँगे, कब मरेंगे--यह सोचकर समय नष्ट नहीं करना चाहिए | बल्कि समय का सदुपयोग करना चाहिए | महान् कार्य, आध्यात्मिक कर्म, सेवा-साधना आदि में जीवन का सदुपयोग करना चाहिए ताकि मानव जीवन सफल हो |

आधुनिक युग में अगर हम समाज में देखे तो पाएँगे कि अधिकांश लोग गलत कार्यों में व्यस्त हैं और इस तरह से अपने लिए अशुभ संस्कार का बोझा जमा कर रहे हैं | ऐसा इसलिए है क्योंकि जीवन जीने का आध्यात्मिक पद्धति का समाज में प्रचार-प्रसार नहीं है | आध्यात्मिक जीवनधारा के अभाव में लोग गलत दिशा में जा रहे हैं | अतएव यह हमारा कर्तव्य है कि जल्दी से जल्दी आध्यात्मिकता पर आधारित समाज का निर्माण करें ताकि साधारण मनुष्य भी जन्म से मृत्यु-पर्यन्त अपने जीवन का सदुपयोग कर सके |

 प्रभु  सेवा में
आनन्द शरण

== Section: Important Teaching ==

Why fickle mind in meditation

Ananda Marga ideology says, "Most people are well acquainted with the fourth state of mind (eka'gra). In this state the human mind sometimes becomes exalted with divine sweetness; and sometimes becomes as debased as an infernal creature. Sometimes it keeps company with good people and takes a resolve never to tell lies, accept bribes, get intoxicated, or become characterless; and sometimes it thinks that honesty and virtue are sheer folly, for happiness lies in falsehood, taking bribes, stealing, promiscuity, and the like. The mind is continuously tossed between good and bad. But when the practice of sa'dhana' inspires one to accept shreya (path of benevolence) as one’s ideology, one attains the true state of eka'gra bhu'mi. In this state waves upon waves of citta emerge."

Sha'ntaditao tulyapratyayao cittasyaeka'girata'parin'a'ma

Ananda Marga ideology says, "Every newcomer to the path of sa'dhana' suffers from a lack of concentration of mind. After repeating the is't'a mantra a couple of times hundreds of undesirable thoughts flood the mind. The newcomer thinks, “I am unable to attain the One on whom I meditate, and instead am pestered by those objects I do not want.” The hand counts the beads, the lips mutter the name of the is't'a, but the mind roams in the filth of hell. When all the undesirable waves are removed from the mind, one blissful wave begins to flow, and the sa'dhaka attains the state of eka'gra bhu'mi." (1)

Note: If in sadhana a person is not one-pointed (eka'gra means "one-pointed") it means they are not repeating their mantra in a proper manner. It means they are lacking sincerity and regularity of practice.

Reference
1. Ananda Marga Ideology & Way of Life - 9, Cognitive Force and Psychic Practice


== Section: Important Teaching ==

How to cure diseases by walking

Ananda Marga Yogic Treatments says, "Pure, fresh air has the power to cure diseases. It is advisable to breathe in as fully as possible, because when we do so, the air gets an opportunity to penetrate the lungs completely. It is better to take a walk in the fresh air than to ride a vehicle. If the body does not work up a sufficient sweat, then you should know that you have not taken the air properly." (1)

Everyone is aware that Baba is teaching us to be vigilant about walking every morning and evening, invariably.

Reference:
1. Yogic Treatments, Appendix, Point E


== Section 4: Links ==

Recent postings




Friday, January 17, 2020

AM: fine arts + 2 more


Baba


AM: fine arts

Namaskar,

The practice and cultivation of the fine arts is a big part of aesthetic science (nandan vijiana) and our yogic lifestyle.

Ananda Marga philosophy says, "Fine arts lead human beings to the trans-sensory realm; hence sádhakas (spiritual aspirants) should not discourage fine arts; rather they should support them, directly or indirectly.” (1)

Our Ananda Marga recognises the fine arts which include dance, drama, writing, debate, drawing, painting, etc. At all our collective functions, the presentation of the fine arts is indispensable: Singing and dancing of Prabhat Samgiita, and other RAWA programs like dramas, plays, reenactments, etc.

The fine arts add dynamism to the human experience. If people merely follow the same routine day after day, life becomes boring. To break up the monotony of daily living, fine arts are needed. The fine arts like song, dance, dramas, and music are all key elements.
https://anandamargauniversal.blogspot.com/


Slogan: “Art is for service and blessedness”

The next question is what should be the nature of the fine arts. Should the arts carry a particular message that benefits humanity, or can art simply be a show of one’s animalistic propensities.

Ananda Marga philosophy states, "Art is for service and blessedness and not for art's sake." (2)

Within the domain of the fine arts, there are two distinct avenues: Art inspired by higher ideals, the Divine entity Parama Purusa and "art" motivated by animalistic propensities. In this present era, most of the "so-called-fine arts" are born out of the lower propensities / vrttis. Hollywood and Bollywood are the epitome of this. Actually it is not art. Nor do we want such types of tamasika displays in any programs.

The presentation of the fine arts - local dances, writing, debates, paintings, dramas etc - should goad the mind upward towards the Supreme. Bad art is not art rather something else, just like how all chemicals are not necessarily medicine, they are just poison.

Ananda Marga philosophy states, "“Art for art's sake” is not acceptable; rather the expression should be, “Art for service and blessedness.” (3)

One should present any sentient local dance or drama

Our annual AMPS program aims to guide the margii audience what to do in their local unit. So people go to programs to learn our Ananda Marga way of life and return back home with the inspiration to practice those things in their own unit.
https://anandamargauniversal.blogspot.com/

But it does not mean that those attendees should practice the overseas dance in their native land, irrespective of where one is living. Rather local dances should be on display - so long as they are consistent with the tenets of our teachings. The idea is that the fine arts should be cultivated and guided by Ananda Marga ideology, i.e. where the goal is the Supreme, not crude matter or material longings. In that spirit, at cultural program in their units, margiis should present any local sentient dance or drama, or engage in other endeavours like writing, debate, drawing, painting, etc. Yet all these artistic endeavours should be pursued with a greater goal in mind like: “Art for service and blessedness.” (4)


Conclusion

The conclusion is that the fine arts are for goading the human mind toward higher ideals. They should channelize the mind towards the spiritual realm. That is the key of the fine arts. And all dances, dramas, writings, debates, drawings, and paintings should also take its inspiration from the Cosmic Entity.

Ananda Marga philosophy states, "“Art for art's sake” is not acceptable; rather the expression should be, “Art for service and blessedness.” (5)

Namaskar,
in Him,
Satya Murti

~ In-depth study ~

Listing of the fine arts

From Wikipedia: "Historically, the five main fine arts were painting, sculpture, architecture, music and poetry, with performing arts including theater and dance. Today, the fine arts commonly include additional forms, such as film, photography, conceptual art, and printmaking. However, in some institutes of learning or in museums, fine art and frequently the term fine arts (pl.) as well, are associated exclusively with visual art forms. One definition of fine art is "a visual art considered to have been created primarily for aesthetic and intellectual purposes and judged for its beauty and meaningfulness, specifically, painting, sculpture, drawing, watercolor, graphics, and architecture." (Courtesy of Wikipedia)


How to make dramas more interesting for the audience

Now we examine how to make short dramas, mysteries, and theatre more interesting for the audience.

Ananda Marga philosophy says, "If there are complications in the plot, it is desirable to let the reader or the audience first form a rough guess about the plot and then introduce suspense, instead of introducing it at the very beginning, for this will help them to appreciate the suspense more." (6)

When producing any play or drama etc, careful consideration should be given to developing the plot to draw the audience in. Once that is achieve, suspense can be employed. In the next guideline,  the warning is given that if the audience cannot understand the central plot of the story they will become confused and bored.

Ananda Marga philosophy states, "If the audience has not even understood the suspenseful plot, the desire for release from the suspense cannot be intensified; rather people spend their psychic energy more on pondering over what they do not understand in the complicated plot, instead of being curious about what is coming next." (7)

Finally, it describes how the above guidelines apply to stage performances, dance, and screen plays.

Ananda Marga philosophy states, "In my opinion this applies equally to both screen and stage plays and dramas. The difference between the two is that the assistance that the author of a screen drama derives from the art director or the studio-technicians, the author of a stage drama does not. The latter has to arrange the environment through the media of the dialogues of the different characters." (8)

So the director of stage dramas should create a dialogue or narration to keep the audience aware of what is going on. Since the cho dance typically has no dialogue, only dance, then those directors must incorporate a narration or some type of explanation for the audience. In a similar manner, and those artists involved in writing, debate, drawing, and painting should pay careful attention to the presentation of their craft as well.
https://anandamargauniversal.blogspot.com/


Display of fine art in DMS

All in all, the fine arts can be done anytime, but the cho dance is done at the height of Ananda Nagar DMS when most of the attendees are in the pandal. The program is meant to revive the audience.

Ananda Marga philosophy says, "Cho dance, which is performed after battle during times of rest in the military camp, has more mudra in it. The dancer only dances, and does not sing. Another person sings and narrates in song what is taking place." (9)

One point to keep in mind is that cho dance is based on a series of long mythological stories. But the cho dance itself is relatively short. Only those familiar with the greater story can enjoy the cho dance because they know each and every section of the main story. Those not familiar with the bigger story find the cho dance to be dreary and boring, like a silly children's play. This problem can only be solved when the main theme of the story is narrated beforehand.

Otherwise, when one does not know the theme, spirit, or significance of any dance program, then naturally one would find it to be boring. Only kids below the age of 7 will enjoy it because children like anything that features costumes. Just think about it. When you were a small kid then you liked playing with toys but when you became an adult you no longer liked playing with those toys. Even if such toys are lying around the house you avoid them. But when you were a small kid you became enthralled playing with those dolls and toys; however as an adult you do not like to even think in that way. Due to the lack of a proper explanation, the dance can become like a drama meant only for children.

Adults want to know the import and significance - not just see some glossy costumes. Without that, the dance seems like a meaningless ritual. New plays can be written and presented on any number of themes such as how recent Ravana Indira Gandhi was killed, how to do Ananda Marga pracar etc.

And on the regional or local level, the exact type of presentation from place to place. For instance, the cho dance is performed at Ananda Nagar DMS as that dance is local to that area.  By this way margiis get the idea that when they go back home they should also partake in the presentation of the fine arts in their unit.  For this very purpose, in any AMPS program, the fine arts is presented as a reminder that spiritually based programs should be done on the local level as well. It is the duty of up and coming artists to develop new stories and dance / dramas.
https://anandamargauniversal.blogspot.com/

References
1. Caryácarya part 2, Society, Point #16
2. Prout in a Nutshell part 17, The Evolution of Indian Languages
3. Abhimata, The Opinion, 2
4. Abhimata, The Opinion, 2
5. Abhimata, The Opinion, 2
6. Prout in a Nutshell, part 1, The Practice of Art and Literature
7. Prout in a Nutshell, part 1, The Practice of Art and Literature
8. Prout in a Nutshell, part 1, The Practice of Art and Literature
9. Prout in a Nutshell, Part 18, Talks on Education – Excerpt D



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The below sections are entirely different topics, unrelated to the above material.
They stand on their own as points of interest.

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== Section 2: Prabhat Samgiita ==

Please look upon me with eyes full of karun'a (compassion)


"Kan’t́aka patha dhare klesha varan’ kare, a’siyachi prabhu tava tare je a’ji..." (Prabhat Samgiita #1408)

Note: Only those who sincerely practice the higher lessons of sahaja yoga meditation can understand this song in the depths of their heart.

Purport:

Parama Purusa, I have come to You today, by Your grace, after crossing the thorny path and undergoing so much suffering. Since I started moving on the path of divinity, I have faced so much opposition in the society - both from the status quo and the followers of dogma. There were so many internal struggles as well as much opposition from avidya maya - internal enemies and external bondages. Even then, by Your blessing, I stayed the course, rose to the challenge, held onto Your dharmic ideals, fought against the opposition, came to You by Your grace. Baba, with Your help I have reached Your lotus feet. Please look upon me with eyes full of karun'a - overlooking my demerits and weaknesses. Please accept me, coming in my mind in Your most attractive mohan form.

Supreme Entity, by Your krpa all kinds of complexes - shame, shyness, inferiority, superiority, fear, and defeatist etc - from which I was suffering have vanished. These mental diseases have been completely washed away from my mind due to Your sweet will. All my feelings and thoughts are surrendered unto You. Today I humbly offer those emotions at Your lotus feet, in Your supreme ideation. Now in my deep meditation, only You and I exist. I have completely forgotten the rest of the world. Just I am dancing in Your holy name and special rhythm.

My Supreme Guide, only this I request of You. Please come in my heart, by lighting the lamp of eternal love and yearning, again and again in my mind. Baba, I ask for Your divine compassion - karun'a. Please bless me with the highest bhakti.

Baba, by Your grace, I have come after facing a lot of torment. Please keep me in Your shelter...


Note for Prabhat Samgiita #1408:

[1] Mohan Sa'j: This term is used in the original Bengali lyrics of the song and refers to the most attractive form of Parama Purusa. In spiritual life, as the mind becomes more and more pointed, by His grace, the sadhaka feels that Parama Purusa is the most charming Entity. Also in this song the bhakta is indirectly asking Parama Purusa, "Please grace me and heighten my bhakti so I feel that You are the most attractive One."

[2] Lok Laj Sare Geche: This line of the song depicts the state of mind where one is ensconced in a very deeply intimate bhava and they are not aware about their surroundings nor what others are thinking and saying about them. For instance, if one is singing and dancing kiirtan in the streets and the mind is purely focused on Him, then one will not be concerned about public opinion etc. They will continue to dance and sing, regardless what others may be saying. So when the mind is very high, then one is oblivious of the world around them. They are in a very pure and blissful state that leads to Supreme realisation - fully ensconced in His divine bliss. 

[3] Tumi a'r a'mi a'chi jagat ke bhule gechi: When the sadhaka, by the grace of Parama Purusa, is fully immersed in meditation and wholly focused on Him, then they feel that only Parama Purusa exists. That state is known as savikalpa samadhi. When the mind is a little lower but still in a deeply spiritual flow, then one feels that only Parama Purusa and myself exist. When the mind is still lower, then one feels that there is me, my family and Parama Purusa. And when one's mind is completely distracted, then they cannot even concentrate in sadhana and instead plan all kinds of mundane things in life. This particular line of the song depicts the exalted stage where the bhakta thinks that, "only I and Parama Purusa exist."

[4] Karun’a’: This is when one is pained by seeing another's suffering and feels, "I should help them.” This type of empathetic feeling is karun'a'. For example, suppose you saw one beggar who is suffering. By seeing his pitiful situation then you felt in your heart that, "I should help him and remove his suffering. This very feeling of the heart towards that suffering beggar is the expression of karuna'.

Similarly, suppose a bhakta is suffering and unable to move ahead in the physical, psychic, or spiritual realm. In such circumstances, Parama Purusa cannot bear to watch His bhaktas go through so much suffering. When devotees are helpless and trying hard to move ahead on their forward journey and they face all kinds of obstacles, complexes, bondages, and suffering due to their own samskaras - and the situation arises where they can no longer move ahead - seeing this unbearable scene, Parama Purusa feels He must rescue them immediately from their suffering. With His deep empathy and mercy, Parama Purusa removes their suffering, so that once again they can move ahead in all realms of life. This entire liila is called His karun'a'.


Difference Between Krpa' & Karun'a'

In the case of karun'a', Parama Purusa is moved by a bhakta's suffering and comes forward to save that bhakta from their suffering. With krpa' (grace), the bhakta is not suffering but even then Parama Purusa is bestowing His blessing.

It is just like if a baby is sick and with great empathy a neighbor selflessly gives that infant more attention without expecting anything in return. That neighbor just lovingly places the sick baby on her lap in a very special way and serves the baby. That is the neighbour’s karuna on the baby. Because the neighbor is moved and motivated into action by seeing the sick child's suffering. In contrast, if that same baby is not sick, and the neighbor just wishes to bring the baby on her lap to serve the baby, then that is the neighbour’s krpa on the baby.

Similarly, when out of empathy Parama Purusa lovingly comes to the aid of His suffering devotee to relieve them of their spiritual strife, that is the karuna of Parama Purusa on the bhakta; and, if that same devotee is not suffering devotionally, yet Baba still bestows His blessing, that is Parama Purusa’s krpa on the bhakta.

So there is a distinct difference between krpa (grace) and karuna (compassion).

When Parama Purusa showers His karuna He helps that suffering person and relieves them of their pain and agony - in all spheres of life.



== Section: Important Teaching ==

Prout: Key point is purchasing capacity

Prout philosophy states, “According to PROUT, increases in per capita income are not a sufficiently reliable and scientific index to determine the standard and progress of a particular socio-economic unit. Rather, this approach is misleading and deceitful, because it refers to a simple mathematical calculation of total national income divided by total population. This does not give the correct picture of the standard of living of the people of a particular socio-economic unit as the wealth disparity in society is concealed. Per capita income shows the mean and not the variation of income distribution. If inflation is also considered, the reliability of per capita income is further reduced."

"Purchasing capacity, on the other hand, is the real index of how people's economic needs can be met by their income. All PROUT's plans and programmes in the socio-economic sphere should be aimed at increasing the purchasing capacity of the people. PROUT stresses increasing purchasing capacity and not per capita income."

"Per capita income is not a proper indication of the increase in the standard of living of the people because while people may have very high incomes they may not be able to purchase the necessities of life. If the per capita income is low and people have great purchasing capacity they are much better off. So, purchasing capacity and not per capita income is the true measure of economic prosperity. Everyone's requirements should be within their pecuniary periphery or purchasing capacity." (1)

Reference
1. Proutist Economics, Questions and Answers on Economics – Excerpt A


== Section: Prabhat Samgiita ==

बाबा, दिन रात एक कर, मैंने यह गीत तुम्हारे लिए तैयार किया है।

प्रभात सङ्गीत  1168 आमारे गान दिवसे निशीथे रचियाछि प्रभु तव तरे... .

(यह गाना गहराई से वही समझ सकता है, जो ध्यान-साधना अभ्यास करता है)

भावार्थ

हे बाबा ! दिन रात एक कर, मैंने यह विशेष गीत तुम्हारे लिए  तैयार किया है। तुम्हारी कृपा से मैंने इस गीत के बोलों की हर परत को अपने हृदय की सभी भावनाओं से सजाया है। मेरे हृदय में तुम्हारे लिए जो प्रेम है वह इस धागे में पिरोया है जो सुरीले सङ्गीत के द्वारा अनुभव होता है।

हे परमसत्ता बाबा ! ऐसा लगता है जैसे तुम्हारी मधुरता को मेरे सामने बिखेरकर भोर का प्रकाश  मुस्करा रहा है। सुबह के समय पूर्वी आकाश की शोभा वास्तव में तुम्हारी शोभा ही है।  फूल, पत्ते, पङ्खुड़ी आदि सभी अपने आकार और प्रकार के द्वारा मुझसे केवल तुम्हारी कहानियाॅं कहते है। बाबा ! अब मैं तुम्हारी उपस्थिति को हर जगह पर अनुभव करता हॅूं।

हे मेरे प्रभु ! अभी  कोमल  हवा का एक झोंका मेरे पास आया। उसने मुझे मधुरता से छूकर ख़ुशी से तुम्हारा समाचार दिया है। वह यह कि तुम मुझ पर अपने दिव्य प्रेम की कभी ख़त्म न होनेवाली वर्षा कर रहे हो। तुम मुझ पर अपने अलौकिक मधुर  प्रेम को उड़ेलते जा रहे हो।

हे परम पुरुष ! हे बाबा ! मैं तुम्हारे चरण कमलों में समर्पण करता हॅूं।

References
1. Sadguru Baba says (in GD, Delhi, 26 Feb 1984) that when writing a Prabhat Samgiita purport then very simple words should be used so that the common mass may understand. The above Hindu purport has been written according to that guideline.


== Section: Ananda Vanii ==

Ensconcing oneself in the Cosmic Soul 

Original Ananda Vanii states: “Marching ahead from cimmerian darkness to the stratum divine is the true spirit of life. Staticism, superstition and narrowness stand for cimmerian darkness. Ensconcing oneself in the Cosmic Soul is the life divine. Striving ahead, together with the entire universe, along the path of spirituality is verily the greatest task for humanity. I hope, in the fresh dawn of the New Year’s day, you will all ponder anew this eternal and sacred Truth.”  (Ananda Vanii #32)

Note: Sadguru Baba has assigned a number to all His original and true Ananda Vaniis. In contrast, Fake Ananda Vaniis do not have any number. By this simple formula, one can easily recognise which is a true Ananda Vanii and which is fake. For the upcoming occasion of January 1st 2017, all Ananda Marga units should use one of Baba’s original and true Ananda Vaniis, not a fake one. By this way, one will surely get His blessing.



== Section 3: Links ==

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